Tag Archives: basilica

The Portuguese in Newfoundland

ARCHIVAL MOMENT

May 27, 1955

 

It is estimated that  four to five thousand Portuguese Fishermen carried the Fatima statues through the streets of St. John's .

It is estimated that four to five thousand Portuguese Fishermen carried the Fatima statues through the streets of St. John’s .

One of the highlights of the 100th Anniversary celebrations of the Basilica – Cathedral of St. John he Baptist in St. John’s in 1955 was a parade of four – five thousand Portuguese fishermen from the “White Fleet” who marched through the city of St. John’s on  May 27, 1955.

The fishermen walked in procession from the waterfront to the Basilica –Cathedral and presented a gift in the form of Our Lady of Fatima, comprising a group of nine statues, of poly chromed and gilt plaster.

The statues were presented to Archbishop Patrick J. Skinner of St. John’s, by Reverend Father J. A. Rosa, chaplain of the Portuguese fleet, on behalf of the officers and crews of the fleet, and the people of Portugal.   The grotto  where the statues were placed is located under the west gallery in the Basilica Cathedral.

Only two other pieces of public art celebrate the presence of the Portuguese in Newfoundlandand  and Labrador.

MiguelCorte Real Andrade visted the site of his ancestor last week.

MiguelCorte Real Andrade visted the site of his ancestor last week.

The statue of  Gaspar Corte-Real Portuguese navigator – he reached Terra Nova (Newfoundland)  in the 15th century. This statue was unveiled on May 1965 in front of Confederation Building in St. John’s.  It was a gift from from the Portuguese Fisheries Organization as an expression of gratitude on behalf of the Portuguese Grand Banks fishermen for the friendly hospitality always extended to them by the people of Terra Nova.

The most recent installation of public art to celebrate the history of the Portuguese in Newfoundlandare the series of murals located on Duckworth Street.  (near the site of the  Sheraton Hotel) The murals depict scenes from towns in Portugal.

Another memorial to the Portuguese fishermen that is under discussion is the unmarked grave of White Fleet Fisherman, Dionisio Esteves. He died during the 1966 fishing campaign while unloading his daily catch of codfish. He was crushed between his swamped dory and the steel hull of the fishing vessel. His grave site, which was only recently discovered, has come to symbolize all those Portuguese fishermen who lost their lives fishing in Newfoundland waters.

Local St. John’s businessman and author, Jean Pierre Andrieux is spearheading a financial campaign to raise funds to erect a memorial at the grave site of Esteves that would also serve to remember all Portuguese fishermen who lost their lives fishing in Newfoundland waters.

Portuguese Dinner:  An Invitation to a Portuguese Dinner, June 2, 2015   Read More: http://archivalmoments.ca/2015/05/monument-to-portuguese-fishermen-to-be-erected/ For further information contact Jean Pierre Andrieux @ jpa@spmtours.com or 753-7277

Recommended Reading: Port O’ Call, Memories of the Portuguese White Fleet in St. John’s, Newfoundland, by Priscilla Doel (Institute of Social and Economic Research, Memorial University of Newfoundland, St. John’s, 1992).

Recommended Website:  Watch and listen as  the Portuguese carry the Fatima Statues to the Basilica Cathedral, on May 27, 1955.    http://www.museevirtuel-virtualmuseum.ca/sgc-cms/expositions-exhibitions/basilique-basilica/assets/year_of_joy.html

Historic Entrance to St. John’s

ARCHIVAL MOMENT

May 17, 1857

Basilica Cathedral Archway,  Welcome to St. John’s

Basilica Archway St. John’s

On  May 17, 1857 a single-span entrance arch constructed of Leinster granite, with a statue of John the Baptist carved in Carrara marble was erected on the grounds in frount of R.C. Cathedral, St. John’s (now Basilica).

The Arch is constructed of enormous blocks of granite and is surmounted by a marble statue of St. John the Baptist, patron of the city and one of the patrons of the Basilica. The statue is ten feet hight and was sculpted at Carrara, Italy, of pure white marble, by Fillipio Ghersi, of Italy. It represents the saint preaching penance, and holding in his right hand a baptismal shell.

The height of the arch and statue is 42 feet.

Basilica Archway, 1907

Basilica Archway, 1907

In 1907 the archway was repositioned to allow for the widening of the adjacent Military Roadand rebuilt with a triple arch span.

The arch is a traditional symbol of welcome, in Newfoundland spruce bough arches were often constructed to welcome visiting dignitaries. The idea of the  John the Baptist arch was to weclome ships  as they entered into ‘the narrows’  of St. John’s (at one time the only highway into the city). From the harbour entrace  ship crews and passengers would look toward the town and there on the hill side to welcome them would be John the Baptist, the patron of the city.

On July 24, 2006 Heritage Designation for the Basilica Archway was recommended by the Heritage Advisory Committee for the City of St. John’s and accepted at a meeting of the City Council.

Recommended Website:  Tour of the Historic Basilica Cathedral, St. John’s.  http://www.thebasilica.ca/

Recommended Reading: Geology of the Roman Catholic Basilica of St. John the Baptist, St. John’s, Newfoundland: Department of Marine, Earth and Atmospheric Sciences, North Carolina State University, Raleigh, NC, 27695.  http://journals.hil.unb.ca/index.php/gc/article/view/2739/3186

An awesome and beautiful work of art

ARCHIVAL MOMENT
March 9, 1855

The Redeemer in Death, Basilica Cathedral, St. John's.

The Redeemer in Death, Basilica Cathedral, St. John’s.

Edward Morris a St. John’s businessman and politician in his diary dated March 9, 1855 wrote:

“went to the Cathedral (now the Basilica) to see Hogan’s sculptured ‘Dead Christ’ which was placed today under the Great Altar. A magnificent piece of art ordered by Dr. Fleming , (Bishop Michael Anthony Fleming) before his death. It cost 600 ponds sterling in Rome besides the expense of freight.”

“The Dead Christ” – was sculpted in Carrara marble by the Irish sculptor John Hogan in 1854. Bishop John Thomas Mullock, on one of his visits to Rome, purchased the statue and had it placed beneath the table of the High Altar on March 9, 1855.

Since it was installed in the Basilica it has twice been moved to new locations, first in 1903 when the Sanctuary was expanded and again in the early 1970’s when it was moved to its present position.

The statue is Hogan’s masterpiece. One observer of the statue wrote:

“It is an awesome and beautiful work of art, full of dignity, and conveying a sense of the serenity which follows the acceptance of God’s will and the peace which is a prelude to the glory of the Resurrection.”

Hogan created two other versions of the statue; the first version (1829) is located in St. Therese’s Church, Dublin, Ireland, the second (1833) in St. Finbarr’s (South) Church, Cork, Ireland. Other works by Hogan include the Sleeping Shepherd and The Drunken Faun. Hogan assured his international reputation in 1829 with The Dead Christ; thereafter, his creations were snapped up by Irish bishops visiting his Rome studio.

Hogan was recognized by by his fellow artist, he  was pronounced by the Danish sculptor Bertel Thorwaldsen as “the best sculptor I leave after me in Rome.”

Hogan was a great supporter of the Irish movement for independence and went on to create a marble statue of Daniel O Connell, an important figure in the movement. The statue stands today at City Hall Dublin, the same spot where O’Connell gave his first speech against the Act of Union in 1800.

Hogan died at his home in Dublin, in 1858.
Recommended Archival Collection: Edward Morris Diaries, Archives of the Roman Catholic  Archdiocese of St. John’s, NL.

Recommended ReadingA full account of Hogan’s life and works, with a catalogue raisonée and bibliography, is given by John Turpin in John Hogan: Irish Neoclassical Sculptor in Rome (Irish Academic Press, 1982).

Recommedned Tour: Visit the  Basilica Cathedral in St. John’s  and enjoy the large collection of art work that adorns the building. The Basilica Cathedral is home to art created by internationally celebrated artists like John Hogan, Edward Carew, Louis Koch, and Gerry Squires.  If you were visting another city you would likely visit the Cathedrals and museums, why not do it in your own city!

 

The Basilica Cathedral Bells

ARCHIVAL MOMENT

January 1906

Basilica Bells on the steps of the Basilica Cathedral 1906.

Basilica Bells on the steps of the Basilica Cathedral 1906.

If you were walking past Roman Catholic Cathedral (now Basilica) in St. John’s during this week in January of 1906 you might have been curious enough to approach the steps of the church to take a close look at the Joy Bells that sat on the steps of the Cathedral awaiting shipment to Ireland. They were being sent to the famous Murphy foundry on James Street, Dublin, where they were originally cast.

The bells in their day were considered some of the best in the new world.

The bell known as “St. John” built in 1850 was the largest ever cast in Ireland at that time, and won a Gold Medal at the Dublin Exhibition of Irish Manufacturers. The bell, a massive piece, weighs nearly two tons. Upon its arrival in St. John’s in February, 1851, it was hauled by hand to the Basilica, and installed in the East Tower.

The bells sitting on the steps of the Cathedral in January 1906 were made by Murphy, the celebrated Bell maker at Dublin in 1854.

Basilica Bells 2In the tradition of the Catholic Church each of the bells was christened and named before being installed.   In addition to having its own name each bell when originally installed had its own sound or personality.

The bells are:

Mary – 1854 – octave D

Patrick – 1854 -octave E

Bonaventure – 1863 – F sharp

Michael -1906

Matthew – 1906

Anthony – 1906

Francis – 1906

James – 1906

These five bells completed the peal, viz.:  G A B C (sharp) and D (octave)

Following their installation in 1906 the bells rang without interruption until 1988 at which time the cluster of bells was removed from the west tower of the Basilica because of structural weakness in the tower. The bells were placed in storage on site at the Basilica Cathedral. Following years of silence, the bells were again re-installed ringing out on (June 9, 2009) at noon, the first time in over twenty years.

Today you can hear the bells being rung on special “feast days” or special occasions like a wedding.  The largest bell “St. John” rings at noon every day.

Recommended Reading: Tour of the Basilica Cathedral, St. John’s:  http://www.thebasilica.ca/index.cfm?load=page&page=186

Recommended Website: After 21 years, the bells have been reinstalled in the bell tower of the Basilica of St. John the Baptist in St. John’s.  http://www.youtube.com/watch?v=_n-ht7bQ8zA 

The Tradition of Midnight Mass

ARCHIVAL MOMENT

December 23, 1895

Midnight Mass has been celebrated in the Basilica since 1895.

On December 23, 1895 the St. John’s newspaper The Daily News announced that:

 “His Lordship the Right Reverend Dr. Michael F. Howley  (Roman Catholic Bishop of St. John’s, Newfoundland) has decided to revive the custom of celebrating  the first Mass of Christmas morning  at the very opening of the ever glorious day.”

Bishop Howley was reviving the tradition of the celebration of Midnight Mass, a custom that has continued at the Roman Catholic Cathedral (now Basilica) since that announcement in 1895.

Bishop Howley noted that midnight mass was “long in existence in the Roman Catholic Church though allowed to lapse for some years past in this country – Newfoundland.”

The article does not explain why the tradition of the midnight mass was dropped before 1895 in St. John’s.

The newspaper account went on to describe the elaborate decorations of the cathedral. 

Basilica Cathedral St. John's

Basilica Cathedral St. John’s

“The interior of the Roman Catholic Cathedral is already beginning to assume the festive garb which always marks the anniversary of the Nativity. The altars and the pulpit are artistically festooned with evergreen to which will be added extensive floral ornamentations interspersed with countless twinkling lights, before the joy bells ring out their glad peal at midnight, to proclaim the birth of the God Man.”

Many theologians say that the Midnight Mass evolved from individuals making pilgrimages to the Holy Land and the actual birthplace of Christ. Because the Bible states that Jesus was born at night and in a manger, to fully immerse oneself in the story and the liturgical significance of the moment, a Midnight Mass seems the best place to achieve these goals. The darkness and the gentle hush that nighttime helps set the scene and enhance the spiritual component of Christmas.

On the Christian calendar – Midnight mass has been observed since at least the year 381. In  381 a Christian woman named Egeria made a pilgrimage to Jerusalem, observing for three years and keeping a journal of the customs and liturgies she saw there. She witnessed the Christians celebrating the birth of Christ at midnight with a vigil in Bethlehem, which was followed by a torchlight procession to Jerusalemculminating with a gathering in Jerusalemat dawn.

Recommended Archival Collection:  Archives of the R.C. Archdiocese of St. John’s, Bishop Michael Francis Howley Collection.

Recommended Reading: The Daily News, December 23, 1895

 

Lived for his work after death of wife and child

ARCHIVAL MOMENT

December 16, 1852 

Photo Credit: Front facade, O’Dwyer Block, Water Street, St. John’s.

On December 16, 1852 the prominent Waterford, Ireland born merchant Richard O’Dwyer who had established himself as one of the more wealthy businessmen in St. John’s was in mourning over the loss of his infant daughter Mary Wilhelmina. The infant child was baptized immediately after birth with Reverend Kyran Walsh serving as both godfather and priest at the baptism.

The loss of his daughter was compounded five days later on December 21 by the death of his young wife Mary Frances McKenna O’Dwyer.

It is believed that the young mother (Mary Frances, age 26) and infant child (Mary Wilhelmina) are both buried in the Roman Catholic Cathedral (now Basilica) that was still under construction at the time of their deaths.

There were in the 1850’s few public memorials in St. John’s but being a wealthy citizen of the town Richard O’Dwyer had the financial resources  to commission a memorial to celebrate the life of his wife and child. On the west wall in the Basilica Cathedral is a memorial that O’Dwyer commissioned that depicts an angel carrying a young mother and child to heaven.

O’Dwyer Legacy

With the death of his wife and child all of Richard O’Dwyer’s energy was directed to his business interests.  He is also responsible for at least three significant architectural contributions to the town (now city) of St. John’s.

He was responsible for the construction of the  O’Dwyer Block of Buildings at (295-301 Water Street, St. John’s. Built in the mid-nineteenth century, the stone and mortar O’Dwyer Block was one of St. John’s earliest major merchant buildings, not made of wood. The structure is a classical commercial block constructed after the St. John’s fire of 1846.  Richard O’Dwyer built the block of buildings for his offices and retail stores with sufficient space to accommodate other merchants.

O’Dwyer also built the nearby Murray Premises as a warehouse storage area.

He is also credited for building The Thompson Building  at (303-305 Water Street) For decades, the Thompson family owned the building and ran their family jewellery store business there until it closed in the mid-1990s. A store specializing in Newfoundland merchandise and the offices of the popular Newfoundland magazine The Downhomer, now operates in the building.

Recommended Reading:  Robert Mellin: A City of Towns: Alternatives for the Planning and Design of Housing in St. John’s, Newfoundland (CMHC Canadian Housing Information Centre, 1995: Ca1 MH 95C37), Residential Heritage Conservation in St. John’s (Heritage Foundation of Newfoundland and Labrador, 2005.

THE “DE PROFUNDIS” BELL

Archival Moment
2 November

THE “DE PROFUNDIS” BELL
FOR THE HOLY SOULS

November 2

The parishioners of the Roman Catholic Cathedral (now Basilica) in St. John’s were informed at the end of every Sunday mass in November of 1902 that: “During the month of November the “De profundis bell” will be tolled at nine o’clock every evening for the Holy Souls. All people who at the sound of the bell shall recite, on their knees (if possible) the Psalm De profundis with the verses and responses.”
The De Profundis is found in scripture – Psalm 130. Upon hearing the sound of the church bell wherever Catholics were at 9:00 p.m. they would fall to their knees and recite Psalm 130.

The Roman Catholics in the city of St. John’s were also informed that: “Those who do not know the De profundis may say instead an Our Father and Hail Mary for the repose of the faithful departed.” (Source: Basilica Cathedral Publication Book, October 26, 1902.)
By tradition, the Catholic Church dedicates each month of the year to certain devotion. In November, it is the Holy Souls in Purgatory, described in Catholic theology as “those faithful Christians who have died and gone before us.” Praying for the dead, especially for those we have known, is a requirement of Christian charity.

New Word: De profundis (Latin) “out of the depths of misery or dejection” (from the first words of Psalm 130

Recommended Archival Collection: Archives of the R.C. Archdiocese of St. John’s, NL (ARCASJ).
Recommended Reading: Psalm 130

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